Play Along Piano

Tags

Renaissance

Pavane. The Earle of Salisbury

Bartók forever

1:45	Est. Play Time
17	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Virginal	14	3	3	8	97%
	14	2	3	17	97%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Virginal	14	3	3	8	97%
	14	2	3	17	97%
	18	7	2	6	89%
	18	7	2	7	89%

Ballet

Bartók forever

1:41	Est. Play Time
19	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		20	14	7	7	100%
		19	1	5	5	96%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		20	14	7	7	100%
		19	1	5	5	96%

La Feliciana | A. Banchieri

Die Viole

1:55	Est. Play Time
72	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor (Tenor)	12	0	2	6	100%
Violone (Bassus)	12	0	3	5	99%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor (Tenor)	12	2	6	100%
Violone (Bassus)	12	3	5	99%
Soprano (Cantus)	14	4	4	96%
Alto (Altus)	10	1	6	93%

Anonymous - My Lady Carey's Dompe

Paraskeνas

2:02	Est. Play Time
51	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		17	10	1	6	100%
		5	1	0	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		17	10	1	6	100%
		5	1	0	3	50%

Recercada primera

Fermate

1:54	Est. Play Time
57	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	0	2	8	100%
	10	6	2	3	100%
	5	0	0	3	100%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	0	2	8	100%
	10	6	2	3	100%
	5	0	0	3	100%

Josquin des Prez: Fortuna d'un gran tempo plus Spinacino

H. Gürtler

1:43	Est. Play Time
49	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitar	25	45	6	6	100%
Alto	11	0	3	6	92%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitar	25	45	6	6	100%
Alto	11	0	3	6	92%
Tenor	13	0	1	6	88%
Bass	12	0	3	7	77%

O beata Maria (P. Guerrero)

rinirini

1:38	Est. Play Time
49	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	9	0	0	6	100%
Alto	12	0	1	6	98%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	9	0	6	100%
Alto	12	1	6	98%
Tenor	9	0	6	92%
Bass	9	0	6	90%

Heinrich Isaac: Benedictus plus Spinacino

H. Gürtler

1:54	Est. Play Time
57	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitar	21	68	4	5	100%
Bass	12	0	2	6	98%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitar	21	68	4	5	100%
Bass	12	0	2	6	98%
Tenor	12	0	3	6	89%
Alto	13	0	2	6	86%

POPULE MEUS - Tomás Luis de Victoria (1548-1611)

collantes

1:30	Est. Play Time
35	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	8	0	1	6	100%
Bass	9	0	0	6	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	8	1	6	100%
Bass	9	0	6	100%
Soprano	10	1	6	100%
Tenor	9	1	6	100%

Sinfonia à 4

Makoto

1:58	Est. Play Time
30	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	0	5	6	96%
		24	0	6	6	90%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	0	5	6	96%
		24	0	6	6	90%

Au Verd Boys (Early French Renaissance Music)

Caplon

1:42	Est. Play Time
94	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flûte	9	0	0	4	89%
	8	0	0	4	98%
View all 4 Parts

	Unique Notes	Rhythmic Complexity	Percent Played
Flûte	9	4	89%
	8	4	98%
Violoncelle	9	4	73%
Basson	9	5	63%

Josquin Desprez - Ave vera Virginitas

Vojtěch Domin

1:30	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alt	9	0	0	6	100%
Bas	9	0	0	5	100%
View all 4 Parts

	Unique Notes	Rhythmic Complexity	Percent Played
Alt	9	6	100%
Bas	9	5	100%
Tenor	7	6	100%
Soprán	7	6	95%

Et_daget_in_dat_Osten

FarrierPete

1:52	Est. Play Time
43	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harmonium	10	0	1	9	100%
	7	2	1	5	92%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harmonium	10	0	1	9	100%
	7	2	1	5	92%
Alt	8	0	0	5	77%
Sopran	8	0	1	7	77%
Tenor	6	0	1	5	77%
Bass	6	0	0	5	56%

Parle Qui Veult

Tauan Taiguara

1:36	Est. Play Time
28	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contínuo	10	0	1	4	100%
Violino I	10	0	3	4	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Contínuo	10	1	4	100%
Violino I	10	3	4	100%
Violino II	6	0	5	100%
Violino III	8	0	4	100%

Fanfare - John Jenkins

MrJonesOrchestra

1:56	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	13	0	1	6	100%
Violin 1	13	0	2	6	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	13	1	6	100%
Violin 1	13	2	6	100%
Violin 2	12	3	6	100%
Violoncello	15	1	6	100%

Tomás Luis de Victoria - Misa Alma Redemptoris - 1. Kyrie

Haricophile

1:48	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassus 2	12	0	1	6	84%
Tenor 1	11	0	1	6	84%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassus 2	12	1	6	84%
Tenor 1	11	1	6	84%
Tenor 2	10	1	5	84%
Altus 2	8	0	6	78%
Cantus 2	9	0	6	73%
Altus 1	10	1	6	64%
Bassus 1	11	1	6	62%
Cantus 1	9	0	7	62%